Since 1996 we have been working at the Ars Electronica Center year after year with tens of thousands of kindergarten children, pupils, apprentices and students on questions concerning the ever-increasing digitalization of our world. The best submissions will receive a Golden Nica, considered by the global media art scene to be the most traditional and prestigious award ever. With several competition categories, we search for groundbreaking projects that revolve around questions of our digital society and rehearse the innovative use of technologies, promising strategies of collaboration and new forms of artistic expression. Since 1987 we have been awarding the Prix Ars Electronica every year. For five days, everything revolves around groundbreaking ideas and grand visions, unusual prototypes and innovative collaborations, inspiring art and groundbreaking research, extraordinary performances and irritating interventions, touching sounds and rousing concerts. More than 1,000 artists, scientists, developers, designers, entrepreneurs and activists are coming to Linz, Austria, to address central questions of our future. Since 1979 we celebrate once a year the Ars Electronica Festival. Over the past four decades, a number of pioneers have turned Ars Electronica into a creative ecosystem that now enjoys a worldwide reputation. “We’re not excited about technology, we’re excited about what we can do with it.” Gerfried Stocker, Artistic Director of Ars Electronicaīetween art, technology and society. Therefore, our artistic research always focuses on ourselves, our needs, our desires, our feelings. And we don’t try to adapt to technology, but we want the development of technology to be oriented towards us. We never ask what technology can or will be able to do, but always what it should do for us. Together with artists, scientists, developers, designers, entrepreneurs and activists, we shed light on current developments in our digital society and speculate about their manifestations in the future. Our activities are always guided by the question of what new technologies mean for our lives. Ars Electronica’s philosophy has remained the same over the years. Since September 18, 1979, our world has changed radically, and digitization has covered almost all areas of our lives. In November 2015, Ars Electronica and Intel make technological history. “Ars Electronica has always been open to signals from the future, open to experimentation.” Hannes Leopoldseder (1940 – 2021)ġ00 autonomous drones start the choreographed dance in the night sky. Franke (AT), he lays the foundation stone for a festival that will become the world’s largest and most important of its kind. Rützel (DE) and the cyberneticist and physicist Herbert W. Together with the electronic musician Hubert Bognermayr (AT), the music producer Ulli A. The initiative for this came from Hannes Leopoldseder (AT), director of the Upper Austria regional studio of the Austrian Broadcasting Company (ORF), who is passionate about everything that has to do with the future. ![]() This Ars Electronica is small, but groundbreaking. 20 artists and scientists from all over the world gather at this new “Festival for Art, Technology and Society” in Linz to discuss the Digital Revolution and its possible consequences. ![]() The first Ars Electronica begins on September 18, 1979. But what does this mean for us and our self-image? SEER: Simulative Emotional Expression Robot / Takayuki Todo, Credit: vog.photo “There’s so much we don’t see yet, so much that’s still hidden no one really knows where the digital revolution will take us.” Hannes Leopoldseder (1940 – 2021), co-founder of Ars ElectronicaĪ new festival. Machines and people are forging ever closer ties.
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